Charline von Heyl in her studio in Mafra, Texas. Photographed by Robin Friend, © TransGlobe Publishing from ‘Art Studio America: Contemporary Artist Spaces’ published by Thames & Hudson

ARTnews, by Ann Landi
Published December 2013 

“Reading is a way of holding myself in a separate space for a while. And while I’m reading I can look in a disinterested way,” she says. “I’m always glancing up at stuff, and then suddenly I’ll jump up and do something I hadn’t contemplated before."

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Louise Fishman in New York, April 2016. Photographed by Christian Högstedt.

Louise Fishman, Angry Louise, 1973.

Interview Magazine, by William J. Simmons, Photography Christian Högstedt.
Published 05/02/16 

"That's been a mantra of mine, to never repeat myself. There are certain things that are part of me that I can't help, but my vision and analysis as I'm working centers on making sure that what I'm doing is fresh, that each piece is unique."

The Modern Art Notes Podcast, hosted by Tyler Green
Air date: March 31, 2016 

"Philip Guston said at this panel—I didn't understand it then, but I understand it more and more—he said, "What I want to do in the studio is to paint everybody out of the studio—the critics, the historians, other painters—and then I try to paint myself out of the studio." I wondered, what does that mean? It stayed with me because I was so curious. I knew that it was crucial for me."

Rose Wylie pictured in her studio at her home in Kent. Photographed by Nick Ray 

The Times
August 23 2011 

“Time out makes you come back newly,” she says. “It’s not as if I didn’t talk, look, think, but then suddenly you come back to doing it. If people don’t know me and they see the work they think I’m straight out of art school.”

Gillian Ayres in her studio in Cornwall. Photographed by Ben Mostyn

Christie's
July 2015 

Surrounded by her family in Cornwall, the British abstract artist still lives to work, as Rachel Cooke discovers on a visit to her home.

Rosemarie Auberson. Photo via Tappan Collective

Tappan Collective
May 2016 

Rosemarie Auberson is a painter whose work combines collage, painting and drawing. Her work is purely abstract, sometimes more illustrative, but plays with the interaction of the surface with colors and texture, the full and empty. She collaborates with designers and brands such as Hermès and Rachel Comey. In parallel, she works as an art director. Born in Switzerland, she is based and works in Paris, France.

Geta Brătescu in her Bucharest studio, February 2015, photographed by Stefan Sava

In the studio with Geta Brătescu
Eleanor Clayton
1 July 2015

To coincide with her forthcoming exhibition at Tate Liverpool – her first solo show in a British institution – Eleanor Clayton pays a visit to the studio of celebrated octogenarian Romanian artist Geta Brătescu.

Helen Frankenthaler in her studio in Darien, Conn., in 2003. Credit Suzanne DeChillo/The New York Times

The New York Times, by Grace Glueck
DEC. 27, 2011 

“For me, being a ‘lady painter’ was never an issue. I don’t resent being a female painter. I don’t exploit it. I paint.”